Stand Up Comedy 101 - The Funny

In my last post I discussed the Set Up. Here I'll summarize The Funny, as described by Judy Carter, in her excellent book, The Comedy Bible.

The Funny

Once you have the set-up -- the serious part -- you just need to think about how to express this in a funny way. The quickest and easiest way is through the “act out.” The Funny has two elements

1. The Act Out. This is where you act out the premise. You act out the situation in the set-up. As Judy says, “Instead of talking about someone or something, you perform it. You turn into the people or things you mentioned in the setup – actually act them out.”

It doesn’t have to be a grand performance. You just take on the attitude of the characters in the set-up. Here again is Robin William’s set-up, with the act-out to follow.

“When you have a baby, you have to clean up your act. You can’t come in drunk and go, ‘Hey, here’s a little switch. Daddy’s going to throw up on you.’”

Here is another example of a simple act-out by Steve Wright. The unstated attitude is, “You know what’s weird about babies?”

“[Premise] Babies don’t need a vacation. But I still see them at the beach. It pisses me off. [Now, here comes the Funny.] When no one’s looking, I’ll go over to a baby and ask, [act-out] ‘What are you doing here? You haven’t worked a day in your life.’”

Now, here are Judy’s set ups with the act outs. Notice that the premises have been elaborated, with more specific detail, giving a richer set up.

• [set up] Piercing is stupid. It’s painful enough just to being in a relationship hurts so much, working for a stupid boss hurts, paying taxes hurts. There is no need to add to it. in a relationship. There is no need to add to it. [act out] “Oh gee, I’m just not feeling enough pain in my life. I think I need to pierce my tongue.”
• [set up] It’s hard being pierced when you go through metal detectors at the airport. [act out] “’Buzzzz!’ [security guard] ‘Please remove all of your jewelry, miss.’ [pierced person] ‘Oh, OK! [Then act out, removing a lot of rings in weird places.] Can you help me with this one/’” {imagine where she’s pointing}

2. The Mix-Up. Although any joke can end with the act-out, you can get point out another dimension of the subject with this tool. Judy Carter states, “A good mix is where a comic connects two elements that people don’t associate with one another. The laugh comes from the way the comic connects them. It’s the ‘surprise’ element that causes laughter.”

Mixes generally start with “Can you imagine if” or “What if” and are almost always followed by another act-out.

Here is an example of a mix by Dennis Miller.

“I view a visit to the therapist in much the same way I view a visit to the hairdresser… When I leave the office my head looks great; around an hour later, it’s all f'd up and I can’t get it to look that way on my own. ‘Excuse me, doc, can I get a little mousse for my id?’”

He mixes therapist and hairdresser, and follows it with an act out of himself talking to the therapist, incorporating elements of the mix. The humor is in the surprise and the juxtaposition of unlikely elements.

That's it. That's the basic structure of putting together a solid joke for stand up comedy: The set up followed by the act-out and the mix-up. Join us on Wednesday to try out your ideas and to see the first few bits that the other comics have developed. December 12, 7:30 PM at Marianas Eye Institute on Beach Road.

Stand Up Comedy 101 - The Set Up

We had our first comedy meet-up on Wednesday night -- a great start! Five committed soon to be comics were there, and we reviewed some of the basics. I had summarized some of the key segments from Judy Carter's The Comedy Bible, which we're using as our guide. Everyone is ordering a copy, and we'll get together weekly to review our work. Our next meet-up is on Wednesday, December 12 at Marianas Eye Institute at 7:30 PM. We will be performing our material to get feedback from one another.

Here is the first part of the material I summarized. It's all taken from The Comedy Bible, which I highly recommend.

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Humor is about insight, seeing something in a unique way. Developing as a comedian is about finding your perspective and your voice.

Any comedic material has two parts

1. The Set Up
2. The Funny

The Set Up

The Set Up is the serious part of the joke. It’s just an observation or an insight about something, expressed with a certain attitude. In fact, the set up consists of three elements

1. The topic. This is simply what the joke is about – babies, money, lint, baldness, whatever.

2. The attitude. The energy that drives a joke is the attitude of the comic regarding the topic. There are dozens of attitudes, but for the beginning comic, there are four that work the best: something is either weird, hard, scary or stupid. Ingrain these four attitudes in your mind. You have to feel this attitude while setting up the joke, and the best way to invoke the attitude is to start the joke by simply saying:

• You know what’s really weird about __________? (babies, money, lint, etc.)
• You know what’s really hard about ___________?
• You know what’s really scary about ___________?
• You know what’s really stupid about ___________?

Seasoned comics may not use these specific words, but they invoke the attitudes and imply the words. When Jay Leno says, “What’s the deal with the President?” he’s really saying “You know what’s really stupid about the President?”

3. The Premise. This is the answer to the “attitude” question. Here you are going to share your insight or observation about what’s weird, hard, scary or stupid about the topic in a very specific way. The premise is not about you. It’s a statement that your audience can relate to. A good premise is insightful and original. It’s where you get to express your unique view about something. But remember, it’s not supposed to be funny. It’s a serious observation about the world. It shouldn’t have the words, me, my, or I in it. After the audience is interested in your global observation, you can make it more specific to yourself, but it has to start broad.

Here is an example of a set up, used by Robin Williams. He doesn’t start with the question, but he is implicitly asking, “You know what’s hard about having kids?”

“When you have a baby, you have to clean up your act.”

There is nothing at all funny about that. It’s a serious observation that he has made about parenthood, about having a baby.

When you develop comedy, you start by making observations about the world. The comedic mind is alert during the mundane acts of life. Some things may strike you as weird, or hard, or scary or stupid. Just write them down. This is the soil from which the joke will grow. You don’t have to see it as funny. You just have to realize you’ve made an observation about something.

Judy Carter, in her book, the Comedy Bible, takes a topic, “Body Piercing,” and gives examples of premises on that topic. Here is what good set-ups look like:

1. Piercing is stupid. It’s painful enough just to be in a relationship. There is no need to add to it.
2. It’s hard being pierced when you go through metal detectors at the airport.
3. It’s weird to see older people with nose rings.
4. It’s scary that nose rings are now an acceptable business accessory, like cuff links or a tie clip.

Notice, again, there are just observations, statements of her opinions, her view of the facts.

Judy gives a whole checklist of making sure your premise is good, and gives examples of “hack” premises, and how to fix them.

In my next post, I'll discuss "The Funny."